Tue, 17 January 2012
Pronounced like "Omni".
It’s 2012, so I’ll let you all in on a little SiDEBAR secret. Most of the blog posts we write as companion pieces to the podcasts are written ahead of time. Not all, but most. I can’t speak for Dwight and Adrian, but for me, I sometimes get an angle on a guest or topic that I think will be interesting, and I try to run with it. Doesn’t always work out, but hey, where there’s a spark, there could be flame, right? So, here’s what I have to say about today’s guest, Chris Samnee, and how I think things will go with him.
I first heard Chris' name a few years ago on the Around Comics podcast. He was probably drawing Capote in Kansas at the time. Then, in early 2009, I attended the very first C2E2 in Chicago, ran into Sal and the AC gang on the floor of the con, and Sal showed me a commission he’d just gotten from Samnee — who was in artist alley. It was an awesome little piece with this serious chiaroscuro thing going on. Very noir, very well composed. I hightailed it over to Chris’ table, never said hello (asshole), and after rifling through his originals, just fell in love with what I saw. His stuff was reasonable, too.
Since C2E2, Samnee has gone from working on smaller projects to working very much in the mainstream. He did a great job on Marvel’s limited series, Thor the Mighty Avenger (2010), with Roger Langridge and Matt Wilson. And he just finished up on the monthly series, Captain America and Bucky, with Ed Brubaker, Marc Andreyko, and Bettie Breitweiser (both the Thor and Cap projects were just in time for the films).
All of this means Chris' star is most certainly on the rise with fans and art nerds alike. Which is a good thing.
So, how do I think the interview with him is gonna go, you ask? Quite well. Chris Samnee is a young guy, seems pretty laid back, and his work oozes a love for his job. I suspect we’ll hear that much of what he’s learned about drawing and mark-making, he learned by observing and self-educating. I think we’ll hear some classic comics names as well as a few names from his youth as influences. And I think we’ll get an inkling from the conversation that even bigger things are on the horizon for this remarkable talent. And that, too, is a good thing.
Listen in and find out if my powers of prognostication are on or off. As I said earlier, I’ve been wrong before.
Sun, 1 January 2012
2011. The year that was. And yes, there was some phat booty. We acquired tons of comics, OGNs, trades and artbooks over this past year. The goodness flowed freely! Somebody came up with the idea of us celebrating our year's take on the show (me), so here we are. Don't judge us too harshly.
We also cover some highlights and memorable moments on this one. 2011 was not without its peaks and valleys. For the most part, though, it was all good.
A sincere thank you to every single person who downloaded an episode this year. Thank you to every guest who came on with us this year. Thank you to everyone who followed us on various social media or took the time to drop an email or comment on our blog. All the great discussion, laughs, and plain old camaraderie are very much appreciated. Thank you to all the convention promoters who extended us courtesies.
And last, but never ever least, an extra special thanks to our sponsor, GRAHAM CRACKERS COMICS, for eternally being the best damn sponsor around! What's up, John?!
We hope your holidays have been fantastic so far, and here's to an awesome 2012!
-DWiGHT, SWAiN & ADRiAN (The Three Amigos)