Thu, 27 October 2011
A poor play on Charles Darwin's Natural Selection, but hey — it sounded better than all the other stuff we came up with (ha). The impetus of this episode was the mystery as to why some of our favorite comic artists aren't doing more work. Why aren't they more visible in the marketplace from month to month? Well, we attempt to answer that question on this one. Surviving (and succeeding) in the world of comics is probably just as challenging as it is in any other industry. Not unlike other fields, I'm sure it comes down to a few simple rules — show up, create and foster good relationships, do great work, and finish the job — on time. The rules above are universal in most trades, but from where we sit, they're not always universally applied within comics. For example, if you're popular in comics, all can be forgiven pretty quickly if you miss a deadline. Editors and fans have certainly been known to turn their heads when "superstars" are late. What if you're good at your job, but can't strike a solid rapport with those that will hire you? You can end up out of sight and out of mind. Here's another one. What if you're an older artist with a style that's seen as "old school"? It can probably be a struggle to get assignments. Ageism exists everywhere (sadly). And last, what about the possibilities of embracing an all-digital workflow to meet the demand by companies for quicker turnarounds of production? The needs of the business beckon. Opinions and theories abound on this one, 'Nation. And with the comic book industry evolving in nearly every other facet in terms of production, now more than ever is a good time to discuss the challenges of maintaining a fruitful comics career in the 21st Century. - SWAiN & ADRiAN |

